Posts Tagged ‘Alexander Kroll’

Oh, I have not been keeping up with my blog lately, even missed announcing our current summer shows. There is a lot of stress lately. Some work related, but mostly from the family business in China. I am not going to get into the details, just a lot of waiting and uncertainty right now. UGH!

Our summer group shows have been up for almost 2 weeks! We are very excited about them. Both are curated by guest curators, John Souza and our very own Alexander Kroll. Artists also include long time friends Roy Dowell, Renee Petropoulos and Carter Potter. Below are the links to the show pages and slideshow of the opening reception. Shows are up until August 20, 2011.

The Haunted Word, curated by John Souza

painting. design. speculation. generosity., curated by Alexander Kroll

Our first exhibition of the new year, Alexander Kroll’s Unfoldings, will officially open tomorrow, January 15, with an opening reception for the artist. But the show was already up and available for viewing starting yesterday’s Downtown LA Art Walk. Here are a few pictures of his work, followed by the press release:

Alexander Kroll

Alexander Kroll

Alexander Kroll

January 13 – February 20, 2011
Opening Reception: Sat., January 15, 5 – 7 p.m.

Los Angeles, CA — CB1 Gallery, is pleased to present the Los Angeles solo debut of the work of Alexander Kroll. In Unfoldings Kroll shows modestly scaled abstract paintings, which are simultaneously structural and intuitive; informal and hyper-considered; gestural and geometric. The exhibition will be on view on January 13 for the downtown LA Art Walk and be up through February 20, 2011. An opening reception for the artist will take place on Saturday, January 15, 2011 from 5 – 7 p.m.

In addition to an interest in exploring binary positions, Alexander Kroll’s work deals with scale, painting history, intuition, systems, emotions, and painting as a conversational nexus and means of producing an object that can embody and contradict these issues. Kroll’s work exists at a place of complexity and intensity. Through its conversational nature the work asserts an expanding set of ideas. As the work unfolds there occurs a process that necessitates further viewing and continuation of a dialog–both sensual and intellectual.

Kroll received his MFA from Otis College of Art and Design and a BFA from Yale University. In addition he studied at the Slade School of Art, University College (London), and he has been working in paint for well over a decade. Kroll’s work has been shown at James Harris Gallery (Seattle, WA), ACME, (Los Angeles, CA), Lincoln Center (New York, NY), Torrance Art Museum, (Torrance, CA), Jessica Silverman Gallery, (San Francisco, CA), The Ben Maltz Gallery at Otis College of Art and Design and The UCLA New Wight Gallery.

Third artist talk video features Alexander Kroll. Here’s the paragraph from the show card that introduces Alexander’s work in “The art that dare not speak its name.”

Alexander Kroll’s modestly scaled abstract paintings are simultaneously structural and intuitive. The layers of painterly information both highlight and obscure previous ideations leaving the viewer an artwork that is at once a highly specific painted object and a record of an activity, a subjective engagement with painterly space.

Alexander Kroll’s Artist Talk from Jason Chang on Vimeo.

Installation Photo

We got reviewed by the Los Angeles Times! Ours was the lead review and Matt’s painting was featured across 4 columns. (Yay Matt!) I feel that the review is mostly positive with the exceptions of the writer’s view toward the title and Alexander’s work. She felt “The art that dare not speak its name.” protested too much in defense of paintings. We of course set out to show the works of these four painters to be superb examples of fine paintings. But, we actually chose the title to have a little fun with the notion that paintings are over the hill, not in the spirit of protest.

As for her review of Alexander’s work, I can say that each individual has their own preferences. I am  glad to say that many of our visitors respond positively to Alexander’s work. All four artists have their fans. However, I do take issue with her characterization of Alexander’s work as “overworked and all over the place.” He plays with the perception of space and dimension, using grids, layering, texture, gradation to achieve particular results. To me each of Alexander’s pieces was mindfully constructed to fulfill his vision. Spend time in front of them, and you will discover layers of visual stimulation.

In graphic design you don’t fill up a page with objects when you want to achieve simplicity. The opposite is also true. You can’t show complexity with just one cleanly drawn circle on an otherwise blank page. I imagine there are also different approaches to painting.

Everyone walks away forming their own opinions and that’s that, it’s good for discussions. And this post is based on this newbie’s point of view. :-) Anyway, I’d put the whole review here for you to read, but I think it’s only fair to have you head over to Los Angeles Times’ website so that they get the traffic. :-) All this is fantastic publicity for CB1 Gallery! Woohoo!

Untitled

Alexander Kroll, Untitled, 2010

Last night’s artists’ reception could be our busiest to date. Good times! Here are a few photos:

Come see the show at CB1 Gallery. Also, we’ve scheduled an Artist Talk on Wednesday, July 14, 7 – 9 p.m. with all four artists, Edith Beaucage, Alexander Kroll, Matt Lifson and Lily Simonson.